Arnika Fuhrmann is an interdisciplinary scholar of Southeast Asia, working at the intersections of the region’s aesthetic and political modernities. Her book manuscript Ghostly Desires examines how Buddhist-coded anachronisms of haunting figure struggles over sexuality, personhood, and notions of collectivity in contemporary Thai cinema. In a new research project, Fuhrmann focuses on new media and how the study of the digital allows for a perspective on the political public sphere that transcends commonplace distinctions of liberalism and illiberalism. This project intersects with her interests in the transformation of cities in contemporary South/east Asia. Fuhrmann’s recent writing has appeared in Discourse: Journal for Theoretical Studies in Media and Culture, Oriens Extremus, and positions: asia critique. Complementing her academic work, she also engages in cultural programming and works in the curatorial team of the Asian Film Festival Berlin (www.asianfilmfestivalberlin.de).